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Littered with heroes, quests, battles, hacking and slashing, the scope is vast, and has, of course, already been liberally exploited. But a real-time strategy game?

Of course. Around this time next year, that dream will become a reality, as EA unleashes another LOTR game on what they hope will remain a Tolkien-crazed public. The more you think about it, the more obvious a genre the RTS is, with the LOTR universe boasting an array of different units and a slew of readymade scenarios, such as the battles at Helm’s Deep, Ithilien, and Minas Tirith, for instance.

It’s actually something of a surprise that no-one thought of it earlier, although Vivendi is working on a similar concept based on the original books. In the hectic world of RTS games, one name stands head and shoulders above the rest, resonating down the years on the success of a flurry of quality titles.

However, Westwood is no more, the Las Vegasbased outfit now sadly closed, much to the chagrin of many a press trip veteran. Whether through the books or the films, remember how exciting that was? The sense that you were there, the wondering what was going to happen next as you turned to the next chapter.

Imagine if you could immerse yourself in this world, if you could get in there and actually play a part, command the battles. What would you do differently, if you were there? Understandably, much of the action is derived from the second film, featuring as it does the epic closing battle. The game will also draw heavily from the forthcoming The Return Of The King, which is already being touted as featuring the most spectacular battle scene ever filmed, namely the attack on Minas Tirith, which will also play a big part in Battle For Middle-Earth.

As Skaggs says, “Our goal with this game is to create some of the best fantasy battles ever seen in a game. You get to control the films. The sense of being able to control the battles and doing it for the first time is going to make a lot of, not only fans of the fiction, but game players very excited.

How thrilling is that? Very thrilling indeed, judging by the demonstration to which we were privy. Despite only being in development since March of this year, much of the combat seems to be in place, and we witnessed an almighty ruck between a firm of trolls and some of the Ents’ top boys – the Ents, of course, being those ludicrous walking trees from the second film.

In a merciless onslaught, the trolls actually uprooted static trees and used them to club their mobile counterparts about the trunk and branches.

Hoisted by their own petard, the Ents retaliated by grabbing handfuls of rocks and hurling them at their troll aggressors. When they ran out of rocks, chunks of masonry were dislodged from nearby buildings and used as impromptu missiles, as were a couple of passing orcs. The Lord Of The Rings is, of course all about large-scale battles, and this will be reflected in the game. In various demos, we witnessed , and finally units on screen, the latterexample maintaining a frame rate around the 40 per second mark.

Technical issues aside though, simply controlling such a large number of units would appear to be an impossibly unwieldy proposition, something of which Browder is fully aware. As he says, “How do you control this kind of battle? Animals will also feature heavily, and Browder says, “We’ve had games before with birds in them, people have done games with sheep in them.

We want to make that stuff really matter and make the world part of the experience. For instance, the huge Oliphaunts will effectively be used as transporters, enabling you to load them up with troops and take them across the battlefield.

And if you chuck a few archers in there, they should be able to use the extra height to their advantage and pick off a few foes en route. Other wildlife includes the Wargs, those wolf-type orccarriers that crop up halfway. The game will also support as many aerial units as the fiction allows, including, of course, the Fell-beasts, those great big flying dragons.

Attacking buildings will involve going at them with catapults and battering rams, as well as attempting to scale the walls, although the inhabitants will naturally fight back with a variety of weapons and traps.

There will also be some resource management, with wood required to spawn Uruk-hai, for instance, and also liberal use of magic, including the ability to change the weather in order to hamper the enemy. Multiplayer is also receiving a great deal of attention, and the plan is to steer away from pseudo-Deathmatch maps and develop a more story-led campaign in keeping with the fiction.

It’s finally happened. LOTR: The Battle For Middle-Earth is a bold step away from the predictable mainstream RTS formula that has been prevalent in so many games of this genre for far too long, melding the best of the mainstream and hardcore markets in one exquisite, shiny package.

Based on all three films from Peter Jackson’s titanic trilogy, this is a work of supreme detail and quality, shoehorning many of the celluloid adventures’ best merits and moments into two campaigns Good and Evil of equal excellence, tension and entertainment. As you’d expect from a high-budget game based on one of the most accomplished trilogies ever created, TBFME simply brims with references and content from the films.

From the voiceovers well, most of them anyway and storylines to the map of Middle-earth and the replication of each character and unit, it’s authentic enough to satisfy Tolkien fans, yet rarely ” overwhelming to a Lord Of The Rings newcomer.

From the very first time the sprawling map of Middle-earth unfurls on your monitor, you’re left in no doubt about the game’s quality.

The boxy, clunky interface of RTS games of old has been replaced by a beautifully streamlined and intuitive control system that disposes with the tedium of manually upgrading buildings and the necessity to construct just one unit at a time. Every command is now just two or three mouse clicks away, while troops now spawn in squads. Well for starters, raising an army takes a fraction of the time than in many other RTS games, giving you more time to concentrate on combat and conquering your opponent.

And that’s got to be a good thing, right? While the two campaigns are fairly unique in terms of storyline, both feature the same three mission categories. The simplest of these are the Fellowship missions, which task you with either leading the Ring Bearer Frodo and his protectors safely through dangerous territories such as the Mines of Moria, or if you’re playing the Evil campaign , thwarting the Fellowship’s progress.

These are quick-fire missions that are usually over within minutes, more action-based than strategic and usually bereft of any type of resource management. Defensive and offensive siege missions require you to either fortify your defences before repelling an enemy assault, or mass your forces and storm an enemy stronghold. The defensive levels are without question the most emotionally enthralling sections of TBFME, with your outnumbered forces struggling against seemingly insurmountable odds.

Things reach a feverish climax of adrenal gland-drying carnage towards the game’s latter stages, when you get to relive the visually spectacular battles of Helm’s Deep and Minas Tirith. During the few precious moments you’re given before the enemy swarm upon you, you must frantically line your walls with archers, identify the different tiers of each fortress so you can fall back and regroup when things are looking bleak and plug any holes in your defences. Suddenly, the uneasy calm is broken by war horns, heralding the arrival of the enemy and the commencement of hostilities.

Men quiver in fear as the enemy approaches, just one example of the many emotions depicted by the game’s intuitive Emotion engine. Your ears pound with rushing blood, bellowed war cries and finally, the clashing of steel as baying orcs and Uruk-Hai scale the walls with siege ladders and pound at your buckling gates with fearsome battering rams.

And save for a few clumsy moments especially if you’re attacking when your troops won’t do as you tell them to, there’s very little to find fault with in these encounters. The third mission type – basebuilding and conquering – is also the most common.

It’ll be instantly familiar if you’re an RTS fan, tasking you to build bases and expand your holdings on the map to try to strangle your opponent’s resource gathering capabilities and ultimately eliminate every enemy unit and building from the level. These maps are dotted with designated base-spawning areas, some of which enable you or the enemy to build mighty fortresses that you can pack with an array of buildings, while others act as smaller outposts with only three spaces on which to erect new structures.

With the location of your bases out of your hands, you’re literally forced to explore each level and track down new building sites, then defend them against enemy onslaughts, a feature which really bolsters the game’s strategic depth.

Once you’ve built a base, you can start producing units and upgrades, such as improved swords, armour and shields. The more units or items a building produces, the more experience it gains. Once you’ve used a building enough, it automatically upgrades to the next level, unlocking new units and power-ups for you to explore and construct. It’s a beautifully simple interface, and with little micro-management clogging up your time and attention, there’s plenty more scope for concentrating on the action-haemorrhaging battles.

The video game adaption of the acclaimed film of the same name. The Lord of the Rings: The Return of the King is a follow up the well received adaption of the first two films in the trilogy. The game expands on what The Two Towers accomplished, with the action and adventure sequel introducing three separate story lines from the movie: one following Aragorn, Legolas, and Gimli, as The Two Towers did, another following Gandalf, and a third following Frodo and Sam, with Merry, Pippin, and Faramir serving as unlockable characters.

 
 

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By way of illustration, Mark fires up the latest in-game demos, showing off the actions and behaviour of a few different units on the battlefield. First up is an elephantine Muma, carrying a saddle-load of black-clad archers into a Gondorian village.

The big bugger starts off simply lumbering towards its foes, swinging its trunk chains like a scythe. It’s impressive enough as is. Rearing up on its hind legs, the dumb beast roars in panic, then tries to run away as the flames attack its hindquarters. Thrashing about like a cornered badger, the creature lays waste to several nearby buildings before dropping dead with a reluctant thump. It’s an Oscar-winning performance, and one that wouldn’t look out of place in a Peter Jackson action reel.

If anything, the sentient creatures are even more impressive. When Treebeard gets set on fire by a gaggle of orc archers, he runs, unbidden, into a nearby stream to douse himself before returning to swing some angry wood. Humans, meanwhile, can be seen jeering and tensing for combat whenever an enemy comes near, celebrating with cheers and sword thrusts after a victory, and cowering in trepidation before a monstrous troll.

Forget your tokenistic idle animations like press-ups or puffing a fag – this is the new way of doing things, and it’s damn impressive. We want to give you the feeling of being behind the walls at Helm’s Deep, looking out and seeing all the orcs and thinking ‘we’re doomed’. Getting the emotion system in there is going to be one of those things that makes you look back at every other RTS and think ‘something’s missing here’. Owing to the size of the battles, the designers have had to rethink everything from troop creation up.

So, rather than clicking to create a single unit, you now click to create an entire squad of troops, the size determined by the unit’s natural disposition. Archers are currently set at around ten per group, while orcs are in the realm of You also have the choice of two or three formation shapes -wedge, square, bunny rabbit – for some of these groups, though on the evil side things are more or less chaotic.

However, grouping units is just one measure the team has come up with to tidy up the battlefield; the other is somewhat farther-reaching and potentially far more interesting. When you have two giant armies coming together, you can set lines for your troops to stick to, enabling them to move forward in a nice wave. The ones in the front meet the fight, the ones at the back wait and then it breaks up into pods as the battle progresses.

For a start, harvesting and gathering are gone, history, caput, deemed inappropriate for the Tolkien universe. As such, much of the resource collection now takes place in the walls of your base, be it through farms for the tree-loving humans or slaughterhouses for the savage orcs. In addition, gold is set to be dropped by the dead in RPG fashion.

To compensate for this simplification, it’s been made much more difficult to upgrade as you climb the tech tree. For example, if you gain access to fire arrows in the middle of a battle, you can’t simpiy upgrade all your existing archers to fire archers; but nor do you need to build a whole new set of fire-wielding troops.

Instead, you have to send a cart laden with fire arrows out to meet your army on the battlefield, and only when it reaches them can they upgrade. Clearly, enemy supply carts are set to become a natural target in the same way enemy harvesters once were, though with far more satisfying tactical implications. There are other new features we could talk about – the radical new interface, the streamlined base building – but in every case the aims remain the same.

First, to make the game true to the Lord Of The Rings cinema: and second, to make it more fun. And this, after all, is what Westwood is best at. After the three epic masterpieces that were the Lord Of The Rings films, it’s somewhat baffling that we’ve yet to see the release of a PC-only game based around Peter Jackson’s trilogy.

We caught up with Mark Skaggs, executive producer on The Battle For Middle-Earth, and grilled him for information about the game like a Hobbit would a pack of juicy sausages. The first piece of good news is that you’ll be able to command both the forces of good and evil, with each campaign’s plot unfolding through video sequences that introduce each mission’s background story.

For the good side, you get to control the Gondor and Rohan armies as well as the heroes of the Fellowship. Your goal is to defeat the evil armies across Middle-earth.

This includes fighting all the major battles you see in the three films plus a few more, says Skaggs. For the evil side, you get to control the armies of Isengard and Mordor and you have to get the ring from Frodo and conquer Middle-earth. Gone are the cumbersome hours of harvesting materials in pre-defined resource fields, replaced by what could be a far more intuitive and less time-consuming system.

As Skaggs explains:When you play as one of the good armies, you get food from the farms you build and iron from blacksmiths. You also get treasure from some of the monsters you kill in battles. These resources go into a pool that you use up when you build troops and structures. Playing as Isengard or Mordor should see a similar system for resource gathering, only this time you amass raw materials via slaughterhouses food and furnaces iron.

However, as Skaggs explains, there will be one major difference between the two sides’ resource collecting abilities. When playing as Isengard, you’re able to get wood from cutting down trees. We put this in because it felt in line with what Isengard did in the movies. We’re not allowing the good armies to do this though, because it just feels wrong having them destroying the forests of Middle-earth.

Quite right too. Base building is also receiving a major overhaul. We’re moving to a Camps and Castles’ type of base-building system, where each side will have a camp or castle area with pre-determined build plots where they can construct various buildings.

By simplifying the process of building bases, we allow players to get to the fun part of producing units and fighting more quickly. It also allows us to tailor the look of the bases to fit the rich fiction of Middle-earth. Early playtests have shown that players think this new way of building bases works really well, states Skaggs. We’re also moving away from the traditional tech tree concept you’ve seen in previous RTS games. Instead, we’re adding the concept of Building Veterancy.

Each level of Veterancy brings with it more units and more defensive strengths. The final level of Veterancy also brings some ability for the building to defend itself with archers and the like. If you’re a regular reader, you may remember our excitement back in issue when we found out about TBFMEs all-new visual emotion system, a feature that depicts the feelings of every unit on the battlefield and their reactions to different situations and opponents. We pressed Skaggs to elaborate on this and give us some more examples of the types of behaviour we’re set to see.

One example would be soldiers quaking in fear when they come face to face with a troll, Balrog or Fell Beast,” he explains. However, beyond fear reactions, you also see cheering in reaction to good events and morale boosts when heroes are near. So form example, it’ll be very visible to players that when Aragom is near, soldiers don’t quake in fear at trolls due to the morale bonus he gives them. And you can expect to see more than your fair share of fully upgradeable heroes too who gain both experience and new abilities.

Plus, all of the main characters from the films – both good and evil – pop up to say hello at some point and no doubt lop off some enemy heads while they’re at it. Skaggs also told us about some of the other units there’ll be a massive 60 unit types in all that you can expect to either command or come up against during the course of the two campaigns, including Warg Riders – the snarling wolf-like orccarrying beasts that we saw skirmishing with the Riders of Rohan in The Two Towers.

These rabid, hugely powerful creatures will be both fast and vicious, and are set to cany a 50 per cent probability of surviving if their orc rider is killed, at which point they wreak havoc on the battlefield by indiscriminately attacking any units.

The Elven Warrior should prove to be another of the game’s more powerful and versatile units. Akin to the sour-faced saviours of Helm’s Deep, they not only excel in archery, but also prove more than a little adept with blades when the enemy is too close for them to use their bows, though Skaggs didn’t comment about their ability to use a plank of wood as a skateboard like Legolas.

These pointy-eared killers also receive stealth bonuses in woods, which will help no end when setting up ambushes and taking a much-needed piss after a night on the Elven Ale without worrying about getting nicked by the local rozzers. What’s more, if you combine two groups of Elven Warriors, one forms a sword-bearing frontline, while the other takes up positions directly behind and provides cover with their bows.

This proves that while they may have the charisma of a corpse, they’re a handy bunch to have around in a scrap. But I know what you’re thinking. You want to hear about the actual battles don’t you? The bloodbaths, cauldrons of battle-scarred bodies where the ring of steel melds with anguished cries as swords meet flesh. So without further delay, let’s find out just what’s in store in that department. We’re going to have all the battles you see in the films – and more,” claims Skaggs.

For example, when Eomer runs into Legolas, Gimli and Aragom for the first time and he’s just been out hunting orcs across Rohan. You get the chance to go on those orc hunts with Eomer. While battles are set to be epic in scale, EA Pacific isn’t aiming to compete with the likes of Creative Assembly’s Rome: Total War, with even the largest skirmishes involving hundreds rather than thousands of troops. Battles will range in size from a handful of heroes fighting off a band of orcs – just like at the end of The Fellowship Of The Ring -to full-scale rucks such as Minas Tirith and the battle at the Black Gate of Mordor.

However, if you’re worried about a lack of scale, check out the cavalry charge from the game’s E3 demo from – last issue’s discs , a sight that should ease even the most cynical sceptic’s mind. Tactics are also important to a degree, but in order to keep the game as accessible as possible, The Battle For Middle-Earth won’t include tactical subtleties such as flanking bonuses. Height will give you an advantage and so will various formations, explains Skaggs. Some of the coolest things we’re doing are the unit combinations.

Some of these give you real-life tactical advantages such as having archers in the back while soldiers provide protection from the front. We’ve got those morale bonuses too, but we’re not going to have fatigue because most people donlt see it as fun. Skaggs also promises plenty of siege warfare, including the battle at Helm’s Deep and Minas Tirith.

Siege engines, such as siege towers, battering rams, ballistae, catapults and siege ladders are set to play a major role in these encounters, with gates and walls buckling and crumbling under their incessant onslaught.

The Lord of the Rings: The Return of the King is a follow up the well received adaption of the first two films in the trilogy. The game expands on what The Two Towers accomplished, with the action and adventure sequel introducing three separate story lines from the movie: one following Aragorn, Legolas, and Gimli, as The Two Towers did, another following Gandalf, and a third following Frodo and Sam, with Merry, Pippin, and Faramir serving as unlockable characters.

Gameplay features were also expanded upon, including multiplayer. It is the full version of the game. You need these programs for the game to run. Free Download for Windows. Windows dinosaur games dinosaur games for windows dinosaurs games dinosaurs games for windows dinosaurs games for windows 7.

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