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How to Display Rare Books

But despite a couple of decades of museums trying to be more inclusive, little has changed. For some people, museums remain very unwelcoming places. Museums were seen as boring places—for people who already understood the science, art or history on display. Museums seemed overly concerned with Western culture and to require specific and unappealing codes of behaviour.

People told me they felt awkward during our visits because there was no one else like them in the building. For me, the next question is why museums remain unwelcoming, intimidating or irrelevant places. The problems of social exclusion are widely recognized, and museums have developed programs in response to these issues. Why has so little changed? Inclusion programs rarely create real change in museums.

Instead many focus on small, one-time or otherwise tokenistic projects. Of course, some short-term inclusion projects do pave the way for large-scale institutional change. But, as museum consultant Elaine Heumann Gurian has noted, socially responsible change in museums seems to be in decline and not, as we might expect after decades of work, improving.

Conversations with other museum practitioners and researchers in Europe and the U. Some people argue that no institution can please everyone all the time. Some fear that trying to appeal to new visitors will alienate existing ones.

A commitment to inclusive practice can seem overwhelming. The roots of social exclusion run deep within our histories, societies and ways of thinking. Addressing socially exclusive practices requires us to look critically at our own work, assumptions and reactions. This is difficult. Museums can be traditional places. When we make exhibitions and events programs, we please ourselves, however unintentionally. As a result, we attract visitors who, like us, already like museums.

And then we do visitor research that reassures us we were right. Systems like this resist change. People who work in, research, visit and fund museums tend to be supportive of their own actions. The need to defend against funding cuts and, at the same time, develop new museums and revamp the old, has created an unrelenting tide of museum advocacy. This is not surprising. But it does run the risk of stifling critical discussions within the field and of pushing external criticism aside.

We need to be able to debate the role of museums in our societies. And we must be able to critically reflect on our practices to create room for change. Museums alone cannot solve the problems of society, but they can help, and must take responsibility for their own practices. Social exclusion is grounded in classed, raced and gendered practices as well as other forms of domination—practices museums can choose to uphold or strive against.

Some museums stand out as beacons of innovation, bastions of participatory museum practice, brave enough to learn alongside local communities about what works best. After all, one of the joys of having a rare book collection is getting a chance to look at it.

Yet you may know that some ways of displaying your rare books are better than others for purposes of preservation. For most collectors, displaying closed rare books requires considerations for exhibiting the objects on shelves i. Collectors who also own pieces of rare ephemera will need to consider additional options for display.

Clamshell Boxes. One of the best ways to display rare books in an aesthetically pleasing way without risking any damage to the objects is to have clamshell boxes made. As you may already know, clamshell boxes are custom-made, archival boxes for rare books and other objects. Many collectors like to use clamshell boxes for particularly rare items because they allow you to preserve the object safely while also having an aesthetically pleasing item on display.

To be sure, many clamshell boxes are designed with handmade papers, making them gorgeous pieces to have on your shelves. Naturally, you want to select shelving that allows you to show off items in your collection and that you find visually appealing. The Library of Congress explains that metal shelves tend to be much safer and better for books than wood shelves. Displaying Open Books. Generally speaking, it is not a good idea to keep your rare books open for display.

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