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Refer to the documentation provided by the manufacturer of your device. An installed driver if required by your control surface supported by the macOS version running on your computer. In a standard control surface configuration you can use a single control surface, or several. The free version is mostly identical and will let you check if things are useable with your network setup before spending money.
The app needs some initial PC-side configuration, please see website for help. Problems, questions, suggestions? Please use website or email. The Play Store’s comment section is not a support channel and help calls you leave here will not be answered. Safety starts with understanding how developers collect and share your data. Data privacy and security practices may vary based on your use, region, and age. The developer provided this information and may update it over time.
No data shared with third parties Learn more about how developers declare sharing. No data collected Learn more about how developers declare collection. This is a good app, but it can be great with minor changes. I was able to connect 3 tablets in Logic Pro with it. As far as the response goes, there’s a slight lag to it, which is not a big issue for me.
The things I would add is an extender GUI for the tablets and a drop down for plugins. I wish I was able to take a picture of my setup so you can guys can see it. Note: The X and Y parameters are a different representation of the Angle and Diversity parameters, and thus are independent of them.
The X and Y parameters support the use of surround joysticks. The choices are: Frequency: Encoders adjust the frequency of the selected band. Gain: Encoders adjust the gain of the selected band. Q: Encoders adjust the Q factor of the selected band. The Channel and Linear Phase EQs feature eight bands per audio channel, with each band offering four parameters. All of these parameters can be accessed with your control surface. If your control surface does not display all EQ parameters at once, you view them by stepping through the parameter pages in sequence.
For example, if your control surface has eight channel strips, you can directly control parameters 1 to 8 with knobs or sliders 1 to 8 when you switch to EQ Channel Strip Edit view. You then need to switch by a page to access parameters 9 to Control Surface Group send and plug-in parameters The parameters in the middle of the Control Surface Group parameters let you control different operational aspects when working with send and plug-in parameters.
Send and plug-in parameters Send Slot: Drag vertically, or enter an integer value to set the currently selected Send slot. The default is 1, which sets the first top Send on each channel as the Send slot. A value of 2 sets the second send as the Send slot, a value of 3, the third Send slot, and so on. The choices are: Destination: Encoder is used to determine the bus channel number for the Send slot.
Level: Encoder is used to adjust the Send level. Send Parameter Page: Drag vertically, or enter an integer value to set the current page for the Send parameters. Up to 32 parameters are available in Send Channel Strip view for a given channel eight Send slots multiplied by the four parameters listed above.
Split: no. The remaining encoders belong to Split Lower. A value of 0 means that Split mode is off all encoders are assigned to the Split Upper area. They are called Split Upper and Split Lower. Instrument Parameter Page: Drag vertically, or enter an integer value to determine which parameter is assigned to the leftmost encoder when editing a software instrument. The next instrument parameter is assigned to encoder 2, and so on. This applies to Split Upper when Split mode is turned on.
Inst Param Page Split Lower : Drag vertically, or enter an integer value to set the parameter that is assigned to the leftmost encoder of Split Lower when editing a software instrument when Split mode is turned on.
Insert Slot: Drag vertically, or enter an integer value to set the current Insert slot number, both for selecting a plug-in in Plug-in Channel Strip view and for editing its parameters. The default is 1, which sets the first top plug-in slot on each channel as the Insert slot. A value of 2 sets the second plug-in slot as the Insert slot, and so on. This applies only to Split Upper when Split mode is turned on. Insert Slot Split Lower : Drag vertically, or enter an integer value to set the current Insert slot number for Split Lower when selecting or editing a plug-in when Split mode is turned on.
Note: The effect plug-in and instrument page parameters are kept separate because this allows you to quickly switch between editing an instrument and editing an effect plug-in on a channel, without adjusting the parameter page every time. Plug-in Parameter Page: Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder when editing a plug-in. The next plug-in parameter is assigned to encoder 2, and so on. Plug-in Param Page Split Lower : Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder of Split Lower when editing a plug-in with Split mode turned on.
Channel Strip Track: Drag vertically, or enter an integer value to define which track is displayed for Channel Strip views. Channel Strip Track Split Lower : Drag vertically, or enter an integer value to define which track is displayed in the Split Lower section of the control surface for Channel Strip views, when Split mode is turned on.
Track Lock checkbox: Click to determine how the control surface responds when a track is selected in Logic Pro in essence, this remotely affects the Track and Track Split Lower parameters. When Track Lock is turned on, the control surface group continues to display the same track, independent of the currently selected track in Logic Pro.
When Track Lock is turned off, the control surface group automatically switches to the track selected in Logic Pro. Other parameters Track Name Format: Choose whether the track name display shows only the track name or the track name and number. Parameter Page Shift Mode: Choose whether the parameter is shifted by one page or by one parameter. Relative Change Mode: Choose the mode for controller assignments that support a Relative Value Change mode rotary encoders, for example.
The choices are: Coarse: The parameter is adjusted in coarse steps. Full: Rotating the encoder to the right sets the maximum value and rotating it to the left sets the minimum value. The encoder also stops at its default value. For example, when the Pan knob is left of center, turning the encoder to the right initially sets the Pan parameter to the center position its default value.
A further turn to the right sets Pan to full right its maximum value. Fine: The parameter is incremented or decremented in fine steps by one tick or other unit. In this mode, the highest possible resolution is used. For example, when editing the Sample Delay plug-in s Delay parameter, every encoder tick increases or decreases the value by 1 sample, regardless of the resolution value. Mix Group: Drag vertically, or enter an integer value to determine which group is edited when in Group Edit mode.
Group Parameter Page: Drag vertically, or enter an integer value to define which parameter of the edited group is assigned to the leftmost encoder. Important: If you want to make changes to the default assignments of control surfaces, you need to use the Controller Assignments window Easy view or Expert view. See Controller assignments overview. Click the General or Help Tags tab to access the associated preferences. This command is useful for silencing motorized control surface faders when recording in the same room.
General preferences Bypass All while in background checkbox: Turn on to allow your control surface to be shared with other applications, when Logic Pro is not the active program. Resolution of Relative Controls slider: Drag to set the resolution of controls that change values in a relative manner. The default resolution is steps. Choose a higher resolution value to divide the value range into finer increments.
You can adjust the value if MIDI or automation playback is being affected. Touching fader selects track checkbox: Turn on to select the track corresponding to the fader when you touch a fader on the control surface. Note: This feature works only with devices that have touch-sensitive faders. Control surface follows track selection checkbox: Turn on to automatically select the corresponding track or channel on the control surface when you select a track in the Tracks window.
To retain a consistent resolution, regardless of Logic Pro window zoom levels, deselect this checkbox. Pickup Mode checkbox: Turn on to use your control surface in Pickup mode if this mode is available. Some control surfaces, typically those without motorized faders or knobs, do not show parameter changes caused by playing back existing automation data on their interface.
Such control surfaces usually offer a Pickup mode. In Pickup mode, the controller must reach pick up the current value before the value starts to change. This feature prevents sudden jumps of parameter values caused by playing back automation. Your device may provide a display usually a pair of arrow LEDs that indicates the direction or distance you need to move the controller, in order to match the settings shown in Logic Pro also known as NULL.
Once you have matched the onscreen values, deactivate Pickup mode and start automating. When Pickup mode is turned off, adjusting a fader modifies the parameter immediately which can result in parameter value jumps. Flash Mute and Solo buttons checkbox: Turn on to make the Mute and Solo buttons on the control surface blink flash on and off when mute or solo modes are engaged.
Multiple Controls per Parameter pop-up menu: Choose the maximum number of encoders used for each parameter when editing plug-ins or audio instruments. The choices are: 1: Parameters are always displayed using one encoder per parameter, with the least space available for the parameter name and value in the LCD. The first encoder of each group controls the parameter shown in the display. The remaining encoders are inactive. Using more than one encoder per parameter shows fewer parameters at any given time, but you gain space on the LCD to cater to longer parameter names and values.
The more control surfaces you have within a control surface group, the more you benefit from this feature. Only when all parameters fit on one page checkbox: Turn on to use the defined number of encoders only when there are sufficient encoders available to show all parameters without changing pages. Eleven encoders remain unused. A plug-in with 11 parameters is shown with two encoders per parameter.
Two encoders remain unused as do the inactive encoders of the subdivisions mentioned above. When this parameter is turned off, multiple encoders are used for each parameter, which may require scrolling.
This is not the case if only one encoder is used for each parameter. You can set this option separately for instrument and plug-in parameters, and for volume and other channel strip parameters.
Turn off this option if viewing units makes the display too cluttered. Controller Assignments button: Click to open the Controller Assignments window. Expert view is available only when you select the Show Advanced Tools checkbox and the Control Surfaces checkbox in the Advanced Logic Pro preferences.
Setup button: Click to open the Control Surfaces Setup window. Help Tags preferences For control surfaces that feature programmable displays with more than six characters per line or segment of the display, you can change the way help tags are shown.
Control surface help tags show additional information during use. Help Tags preferences While editing show long names for checkboxes: Turn on the two checkboxes in this section to determine how parameter names and values are displayed on the LCD of the control surface. Parameter name checkbox: Turn on to show the full parameter name in the upper LCD line when you edit a parameter. Parameter value checkbox: Turn on to show the full parameter value in the lower LCD line when you edit a parameter.
Note: The following options only have an effect if at least one of the two parameters described above is active. The owner or authorized user. The owner or authorized user of a valid copy. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of.
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The Best Control Surface for Logic Pro X in
The Channel and Linear Phase EQs feature eight bands per audio channel, with each band offering four parameters. The only limiting factor is the number of available ports. It allows me to change through 5 controller assignment pages with ease whenever I use it in the MIDI mode. With regards to their design, I found the Behringer X Touch to be a rather thick and clunky control surface. It is ideal for logic pro x control surfaces support free, portfolios, More information.
Logic pro x control surfaces support free. Logic Pro X Control Surfaces Support. For OS X
Jan 04, · Best Control Surface for Logic Pro X. PreSonus FaderPort; Best MIDI Mixer for Logic Pro X: Akai Pro MIDImix; Best Control Surface for Professionals: Behringer XTOUCH; Most Portable Control Surface: Korg nanoKONTROL Studio; Best for Recording: Zoom FRC-8 F-Control Mixing Surface; Best for Home Studios: Behringer X-TOUCH ONE; Over to You. Logic Pro X Control Surfaces Support. This reference documents the use of control surfaces with Logic Pro X, including detailed information on each directly supported device. LOGIC PRO X CONTROL SURFACES SUPPORT EBOOK AUTHOR BY APPLE INC. Logic Pro X Control Surfaces Support eBook – Free of Registration FREE on iTunes Release on: ID Number: Lo-DB8AC6 – Lang: English – US Format: PDF, ePub, Kindle, Audiobook Size: MB Genre: Digital Media Summary_____ This reference documents the use of .