Release the Option PC: Alt key when you find a color you like and then drag the Saturation slider rightward to apply it. Repeat with the Highlight section’s Hue slider. Tip: Experiment with setting both Hue sliders to the same color, or try adjusting only the Shadows remember, the color tint is only visible after increasing Saturation.

The Camera Raw Filter lets you apply localized sharpening with the Adjustments Brush, Radial Filter, and Graduated Filter, but you can also restrict global sharpening to the highest contrast edges, such as the water spray and texture of this baby whale.

Open the Detail panel and adjust the sharpening Amount and Radius sliders. Next, Option-drag PC: Alt-drag the Masking slider rightward to restrict sharpening based on contrast; areas that will be sharpened appear white and areas that won’t appear black. Tip: Use this technique on portraits to avoid accentuating skin texture. If your focal point isn’t centered, the Lens Vignetting sliders in the Lens Corrections panel won’t do you much good.

Instead, create a custom edge vignette using the Radial Filter J. Draw an oval atop your image. Reposition it using the red pin and resize it using the square handles around the circle. Set all sliders to 0 and then drag Exposure leftward to darken the edges outside the circle. Make sure Effect at the bottom of the panel is set to Outside.

As you can see, the Camera Raw Filter is well worth using. Until next time, may the creative force be with you all. This article is courtesy of Photoshop User magazine, the official publication of KelbyOne, which provides quality online education for creative people. Your email address will not be published. Correction Photography. July 17, Basic Color Correction and Softening Skin Step One: The Basic panel in Camera Raw has streamlined, slider-based controls for easy color correction and a handy tool for resetting the white balance.

Fixing Perspective and Darkening a Sky Step One: The Upright feature in Camera Raw can quickly fix the perspective in your image. Before After Split-Toning Step One: Split-toning introduces creative color by remapping shadows to one color usually dark and highlights to another usually light.

Sharpen High-Contrast Edges The Camera Raw Filter lets you apply localized sharpening with the Adjustments Brush, Radial Filter, and Graduated Filter, but you can also restrict global sharpening to the highest contrast edges, such as the water spray and texture of this baby whale. To apply the settings used for the previous image, or to apply the default settings for the camera model, camera, or ISO settings, choose the appropriate command from the Camera Raw Settings menu.

See Apply saved Camera Raw settings. Use other tools and controls in the Camera Raw dialog box to perform such tasks as sharpening the image, reducing noise, correcting for lens defects, and retouching. To apply the same adjustments to other images later, save the settings as a preset. To save the adjustments as the defaults to be applied to all images from a specific camera model, a specific camera, or a specific ISO setting, save the image settings as the new Camera Raw defaults.

See Save, reset, and load Camera Raw settings. Set options to specify how images are saved from Camera Raw and how Photoshop should open them. You can access the Workflow Options settings by clicking the link beneath the image preview in the Camera Raw dialog box. When you finish adjusting the image in Camera Raw, you can apply the adjustments to the camera raw file, open the adjusted image in Photoshop or After Effects , save the adjusted image to another format, or cancel and discard adjustments.

If you open the Camera Raw dialog box from After Effects , the Save Image and Done buttons are unavailable. Use the Shadow and Highlight Clipping Indicators, on the upper-left and upper-right corner, respectively to view the areas of shadows and highlights in your image.

Shadows are shown with a blue mask and highlights are shown in red. Access Edit panels on the right side of the dialog box. Open or collapse the panels as you need. Once you make adjustments in a panel, long-press the eye icon to hide that panel’s adjustments in the preview. You can also select a profile from the Profile drop-down menu.

Once you’re made your desired adjustments, click Done. Here are more details on the Edit panels:. Adjust Aspect Ratio and Angle. You can also rotate and flip your images. Easily remove red eye or pet eye in images. Adjust Pupil Size or Darken. Access and browse through Premium presets for Portraits for different skin tones, Cinematic, Travel, Vintage, and more. You can also find your User Presets here. Simply hover over a preset to preview and click to apply it.

Starting from Adobe Camera Raw version The selected image on the left displays a preview of the applied edits. You can cycle between the Before and After views by clicking the icon in the bottom-right corner. You can toggle between settings and parallely view an image with before and after edits.

You can also temporarily hide edits from a panel when you long-press the eye icon of that panel. The images that you open in Camera Raw are displayed in the filmstrip, positioned below the preview. You can choose to hide the filmstrip, sort images based on Capture Date, File Name, Star Rating , and Color Label , and also filter photos using the Filter icon.

You can also move the filmstrip to the left panel, which is especially useful when working with portraits. Use the Zoom tool at the bottom of the right panel to zoom in or out of the preview image. Double-click the Zoom icon to return to Fit in View.

You can also control zoom using the Zoom level menu below the filmstrip. When zoomed in, use the Hand tool to move around and view areas of the image in preview. Hold down the spacebar to temporarily activate the Hand tool while using another tool. Double-click the Hand tool to fit the preview image to the window. Some controls such as the Workflow Options link, that are available when you open the Camera Raw dialog box from Adobe Bridge or Photoshop are not available when you open the Camera Raw dialog box from After Effects.

When you view camera raw files in Adobe Bridge, the thumbnails and previews use either the default settings or your adjusted settings. The Adobe Bridge cache stores data for the file thumbnails, metadata, and file information.

Caching this data shortens the loading time when you return to a previously viewed folder in Adobe Bridge. The Camera Raw cache speeds the opening of images in Camera Raw and rebuilds of previews in Adobe Bridge when image settings change in Camera Raw. Because caches can become very large, you may want to purge the Camera Raw cache or limit its size. You can also purge and regenerate the cache if you suspect that it is corrupted or old. The Camera Raw cache holds data for about images for each gigabyte of disk storage allocated to it.

By default, the Camera Raw cache is set to a maximum size of 1 GB. You can increase its limit in the Camera Raw preferences. Alternatively, click the Open Preferences Dialog button in the Camera Raw dialog box. Camera Raw and Lightroom share the same image-processing technology to ensure consistent and compatible results across applications.

For Camera Raw to view image adjustments made in the Develop module of Lightroom, metadata changes must be saved to XMP in Lightroom. Adjustments made in Camera Raw are also displayed in the Adobe Bridge Content and Preview panels. To view Lightroom changes in Camera Raw, and to ensure that Camera Raw adjustments can be viewed in Lightroom and Adobe Bridge, do the following:.

Or, with the Camera Raw dialog box open, click the Open Preferences Dialog button. Camera Raw reads only the current settings for the primary image in the Lightroom catalog. Adjustments made to virtual copies are not displayed or available in Camera Raw.

Legal Notices Online Privacy Policy. User Guide Cancel. This major update in called Photoshop CC and includes a ton of new features covered in the Photoshop CC Learning Center here at PhotoshopCAFE. This page focuses on the new features in Camera Raw 9. There is a big new feature in Camera Raw called Dehaze.

While we are talking about Camera Raw, I want to also touch on a couple of updates that have actually been in for a few weeks, but you may not be aware of them.

Camera Raw is always aligned with Lightroom releases, as they share the same processing engine. The Creative Cloud Photography plan. All new local adjustments with the new Filter Brushes in ACR 9, allow you to paint on or subtract from gradient and radial filters. From our Fully comprehensive Photoshop CC video training. Personally, I like Dehaze better and will get a lot of use out of it. Here is an aerial panorama that I have captured on my DJI Phantom 3 Quadcopter. As you can see, the elevated position provides a long look into the distance, and the particulates in the air combined with time of day and position of the sun causes a bit of haze.

In the past, this was difficult to fix. But the new Dehaze filer added in Camera Raw, makes it easy. Navigate to the Effects Panel and you will see a Dehaze slider.

Move to the left to add haze, and to the right to reduce it. Move the Dehaze slider to the right to reduce the haze and bring back details to your photograph. You can see a big difference. Once the haze is reduced, you may want to go back to the basic panel and tweak some of the adjustments as it tends to darken the image slightly.

You can now merge HDR and make panoramic photographs directly from within Camera RAW. This is essentially the same technology that I have covered in detail in my Lightroom CC review. Have a look here to see more in-depth tutorials and videos on HDR in Lightroom and Panoramic merging in Lightroom. To begin, select the photographs that are going to be stitched together from Bridge and right click. Choose Open in Camera Raw and the images will all appear in the film strip on the left. Right click and choose Merge to Panorama.

The Panorama Merge preview will open. Here is the final result. see all my Aerial Drone Photos here.

 
 

 

Adobe photoshop cc 2015 camera raw filter 自由

 

The Adobe Camera Raw plug-in, used to convert RAW images into pixels Photoshop can understand, is an incredibly powerful yet easy-to-use editor. However, if you don’t shoot in RAW format, you might not think to use it. In this column, you’ll learn seven reasons to summon the Camera Raw filter in Photoshop CC. First, prepare the image to use the Camera Raw filter nondestructively. Photoshop tucks them into the protective wrapping of a smart object.

Once you close the filter, you can reopen its dialog by double-clicking its name in the Layers panel. Tip: To access layers you’ve tucked into a smart object, double-click its layer thumbnail and Photoshop opens them in a temporary document. Step One: The Basic panel in Camera Raw has streamlined, slider-based controls for easy color correction and a handy tool for resetting the white balance.

Press I to grab the White Balance tool and locate neutral white or gray pixels. As you move your cursor, note the RGB values below the histogram.

When they’re similar, click to reset the white balance. Keep clicking until the image looks good to you, and then adjust the Temperature and Tint sliders, as needed.

Step Two: Press U and O on your keyboard to turn on the shadow and highlight clipping warnings, respectively, which outlines their icons in gray. Adjust Exposure and Contrast to your liking, and use the next four sliders to adjust detail in highlights and shadows.

If bright red warnings appear, indicating overexposed highlights, try darkening the Highlights or Whites slider or both. If bright blue warnings appear, indicating underexposed shadows, lighten the Shadows or Blacks slider or both. To increase contrast in the midtones, drag the Clarity slider rightward avoid this on portraits as it emphasizes skin texture.

To boost colors, use the Vibrance slider. Step Three: To soften skin, use a negative Clarity adjustment. Press K to grab the Adjustment Brush, and click the minus icon to the left of Clarity twice to set the panel’s sliders to 0 and Clarity to Brush across your subject’s skin. If you paint across an area that you don’t want softened, Option-click-and-drag PC: Alt-click-and-drag to put the brush in erase mode.

Tip: Turn on the Mask checkbox at lower right to view brushstrokes as a white overlay, and use the Left and Right Bracket keys on your keyboard to decrease and increase the brush size, respectively. Step Four: Turn off the Mask checkbox if it’s on and adjust the Clarity slider to your liking.

Any negative setting softens pixels. Click OK. Step One: The Upright feature in Camera Raw can quickly fix the perspective in your image. Open the Lens Corrections panel. To straighten both vertical and horizontal lines in your image, click the Auto button.

Step Two: The Graduated Filter tool G lets you apply adjustments like a real graduated filter that screws onto the end of a lens. It’s handy for fixing overexposed skies because the change is applied gradually across the area you drag over. With the tool selected, drag across the area that needs fixing Shift-drag to constrain the filter to be perfectly horizontal or vertical. Use the Exposure, Contrast, Highlights, Clarity, and Saturation sliders to adjust the sky to your liking.

Tip: Uncheck Mask to see the effect. Step Three: To hide the adjustment from an area, click the Brush radio button and then click-and-drag across that area.

Tip: To add the adjustment to an area outside the dotted lines, put the Brush in add mode by clicking the button labeled here and then click-and-drag across that spot. Step One: Split-toning introduces creative color by remapping shadows to one color usually dark and highlights to another usually light. Step Two: Open the Split-Toning panel.

Release the Option PC: Alt key when you find a color you like and then drag the Saturation slider rightward to apply it.

Repeat with the Highlight section’s Hue slider. Tip: Experiment with setting both Hue sliders to the same color, or try adjusting only the Shadows remember, the color tint is only visible after increasing Saturation.

The Camera Raw Filter lets you apply localized sharpening with the Adjustments Brush, Radial Filter, and Graduated Filter, but you can also restrict global sharpening to the highest contrast edges, such as the water spray and texture of this baby whale. Open the Detail panel and adjust the sharpening Amount and Radius sliders.

Next, Option-drag PC: Alt-drag the Masking slider rightward to restrict sharpening based on contrast; areas that will be sharpened appear white and areas that won’t appear black. Tip: Use this technique on portraits to avoid accentuating skin texture. If your focal point isn’t centered, the Lens Vignetting sliders in the Lens Corrections panel won’t do you much good.

Instead, create a custom edge vignette using the Radial Filter J. Draw an oval atop your image. Reposition it using the red pin and resize it using the square handles around the circle. Set all sliders to 0 and then drag Exposure leftward to darken the edges outside the circle. Make sure Effect at the bottom of the panel is set to Outside. As you can see, the Camera Raw Filter is well worth using. Until next time, may the creative force be with you all.

This article is courtesy of Photoshop User magazine, the official publication of KelbyOne, which provides quality online education for creative people. Your email address will not be published. Correction Photography. July 17, Basic Color Correction and Softening Skin Step One: The Basic panel in Camera Raw has streamlined, slider-based controls for easy color correction and a handy tool for resetting the white balance.

Fixing Perspective and Darkening a Sky Step One: The Upright feature in Camera Raw can quickly fix the perspective in your image. Before After Split-Toning Step One: Split-toning introduces creative color by remapping shadows to one color usually dark and highlights to another usually light.

Sharpen High-Contrast Edges The Camera Raw Filter lets you apply localized sharpening with the Adjustments Brush, Radial Filter, and Graduated Filter, but you can also restrict global sharpening to the highest contrast edges, such as the water spray and texture of this baby whale. Custom Edge Vignette If your focal point isn’t centered, the Lens Vignetting sliders in the Lens Corrections panel won’t do you much good.

ALL IMAGES BY LESA SNIDER This article is courtesy of Photoshop User magazine, the official publication of KelbyOne, which provides quality online education for creative people. Tags Photography. Previous Article Painting White Balance in Camera Raw to Next Article Unlimited Custom Borders Using Nothing But Textures Related Posts. September 21, By Chris Main. June 27, Leave a reply Cancel reply Your email address will not be published.