Whatever sounds good for your track is the best setting. Attack is an essential parameter to get in and play with, as it controls the length of time before the compressor acts and reduces the level of the input signal. If we squash the transients with the rest of the sound, we lose punch and impact. Likewise, Release is the amount of time it takes for the compressor to ease off and stop working each time it hits. To save you the trouble, you can use the Auto release mode, which is a reliable way of ensuring that compression is being safely applied.

And then of course there are the Mode buttons up top, which change how Compressor processes incoming audio by emulating different classic hardware units. Did you know that the team at Apple spent some serious energy on giving you a great range of compressors in one package with Logic Pro X? Not only that, but these different compressors each have a unique real-world counterpart that has been painstakingly recreated.

Named after an earlier release of Logic Logic Platinum , circa ! Producers tend to use Platinum Digital when they need to make some technical adjustments to the way the level, the attack, or the release of a sound behave.

Tip: Studio VCA comes into its own on an instrument or vocal layer when you push the Threshold down and choose one of the Distortion options. Have a play, and enjoy the warm flavor of this compressor.

Based on its real-world counterpart, the UREI the Studio FET Field-effect Transistor compressor is designed to give you a responsive and punchy attack, as well as providing a bit of nice color to the overall sound. Tip: Give your lead part a solid attack to help find its place in the mix. The attack will poke through your mix and allow you to nestle the layer deeper in with the rest of the instruments, just biting through every time the compressor is initially activated.

The simplest of them all, the Classic VCA is modeled on the sound and controls of the real-world dbx It does a lot more than just cutting, trimming and joining audios.

If you feel Logic Pro is a bit too much, then opt for Audacity. Considering its features, the app is also a very good substitute you might try. It is free to download and provides you with a multitude of features. You can record or edit a sound from your computer.

It is easy to handle and gives great results. It is another iOS option to choose from. Some compressors have a knee control, and I have set them all to 0. All the compressors are doing the same amount of gain reduction as well. Lastly, I made sure they are all volume-matched , so we are not fooled by loudness.

I liked the Studio VCA the most because it was able to drastically reduce the dynamic range of the vocals and really flatten them in a pleasant way. Even with 20 dB of gain reduction, the vocals sounded really smooth, which is exactly what you want for great vocal compression.

The Studio VCA also adds some really nice harmonic saturation to the vocals, making them a bit warmer and thicker. I thought the Platinum Digital and the Classic VCA sounded the worst because I could hear very noticeable volume drop whenever there is a loud part, and I could hear the vocal levels fluctuate quite a lot, which is really not ideal for vocal compression.

Aside from the best and the worst, the rest of the compressors all sounded pretty similar to one another, and they sounded okay. Now of course I know with different settings you might get better results, because if these plugin emulations are anywhere like the hardware counterparts, their attack and release should be all different from one compressor to another, even at the same values.

I just used the same settings for all for demonstration purposes. In this comparison, we have some fast metal guitar riffs that contain a lot of palm mutes. They have plenty of low frequency jumps and they are very dynamic.

Good compression on metal rhythm guitars means reducing these palm mute jumps in an unnoticeable way , while retaining the punch of the palm mutes. We would need a compressor with really fast attack and release for that. Again, all the compressors have the same settings, which are fast attack, fastest release, 4 to 1 ratio, and a hard knee if there is a knee control.

All the compressors do the same amount of gain reduction as well. This time, quite a few of the compressors sounded equally good, but the Platinum Digital still sounded the worst, with the Classic VCA sounding the second worst again. I believe the Studio VCA sounded the cleanest, in that it colored the audio the least, while the Vintage Opto and the Vintage VCA added a subtle but nice mid-range bite to the guitar tone. The Platinum Digital and the Classic VCA, however, really struggled to keep up big time, even though I used a really fast attack and the fastest release.

Very good performance and recording. Link to comment Share on other sites More sharing options David Nahmani Posted August 15, Tks for this information David. Posted August 16, Hope that helps! Logic 8. Join the conversation You can post now and register later. Reply to this topic Insert image from URL. Go to topic listing. Plug-in Authorization Problem, How do I lift and save save individual midi tracks from a production with tempo tweaks attached, but without the empty space before and after the individual track?

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Silver compressor logic pro x free.Silver Compressor – Logic Pro – Logic Pro Help

VCA compressors typically also have all the controls , so besides attack and release, they will have ratio, threshold and sometimes knee. Some even offer more controls for tone shaping, like the API The Focusrite Red 3 Dual Compressor hardware is known to be very clean and punchy. Its output transformer is also supposed to add some non-linear enhancement to the audio source.

The Studio FET compressor is based on the classic Blackface , which you have might come across, since there are so many plugin emulations of it. FET stands for Field Effect Transistor —another completely useless fact you can use to impress people.

The Classic VCA compressor is based on the dbx a. A lot of people love it on the drum bus or the master bus. This is a VCA compressor, so it gives you quite a bit of control. Optical compressors are known to be some of the slowest kind of compressors , but the nonlinear behaviors of the attack and release make people love optical compressors for their musical and smooth compression.

Because optical compressors are tube compressors, they also add some nice tube warmth and saturation to the audio. What matters is knowing how these compressors sound and behave, so you can choose the right one for the right audio source.

I have set up the audio players below so you can easily switch among different compressors and compare them. Some compressors have a knee control, and I have set them all to 0. All the compressors are doing the same amount of gain reduction as well. Lastly, I made sure they are all volume-matched , so we are not fooled by loudness.

I liked the Studio VCA the most because it was able to drastically reduce the dynamic range of the vocals and really flatten them in a pleasant way. Even with 20 dB of gain reduction, the vocals sounded really smooth, which is exactly what you want for great vocal compression.

The Studio VCA also adds some really nice harmonic saturation to the vocals, making them a bit warmer and thicker. I thought the Platinum Digital and the Classic VCA sounded the worst because I could hear very noticeable volume drop whenever there is a loud part, and I could hear the vocal levels fluctuate quite a lot, which is really not ideal for vocal compression.

Aside from the best and the worst, the rest of the compressors all sounded pretty similar to one another, and they sounded okay.

Now of course I know with different settings you might get better results, because if these plugin emulations are anywhere like the hardware counterparts, their attack and release should be all different from one compressor to another, even at the same values.

I just used the same settings for all for demonstration purposes. In this comparison, we have some fast metal guitar riffs that contain a lot of palm mutes. They have plenty of low frequency jumps and they are very dynamic.

Good compression on metal rhythm guitars means reducing these palm mute jumps in an unnoticeable way , while retaining the punch of the palm mutes. We would need a compressor with really fast attack and release for that. While that means you cannot install the app directly on any Windows PC, there is another way round.

As we have mentioned, you cannot install the app directly on your PC. For that you need to take the route of a virtual machine. Here is what you need to do:. So to ensure smooth running of the app, it would be better to check whether your device meets the following requirements.

Despite an arduous installation process, the app is worth every bit the hardship. It carries great features which are beneficial for beginners as well as professionals. It does a lot more than just cutting, trimming and joining audios. If you feel Logic Pro is a bit too much, then opt for Audacity. Considering its features, the app is also a very good substitute you might try. I have had some fantastic results on transients like those of snare samples etc You can use it to really change the sound.

It’s definitely more aggressive than the full fledged Comp I use it from time to time for creative purposes. You can post now and register later. If you have an account, sign in now to post with your account. Paste as plain text instead. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. By jtenney , 10 hours ago in Logic Pro. By Olimadviolin , June 5 in Logic Pro. By Logical user , June 7 in Logic Pro. Click here! Silver Compressor.

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